How Do You Spell THE MARRIAGE OF FIGARO?

Pronunciation: [ðə mˈaɹɪd͡ʒ ɒv fɪɡˈaɹə͡ʊ] (IPA)

The Marriage of Figaro is a famous opera composed by Wolfgang Amadeus Mozart. Its spelling may seem unusual, but it is actually quite straightforward when broken down phonetically. In IPA transcription, it is written as /ði ˈmærɪdʒ əv ˈfiɡəroʊ/. The initial "th" sound is represented by the symbol /ð/, while the "fi" sound is /fi/. The stress falls on the second syllable of "marriage" and the first syllable of "Figaro." Overall, the spelling of this title is a good example of how phonetics can help us understand the pronunciation of unfamiliar words.

Meaning and Definition
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THE MARRIAGE OF FIGARO Meaning and Definition

  1. "The Marriage of Figaro" is an opera composed by Wolfgang Amadeus Mozart, with a libretto by Lorenzo Da Ponte. It is based on the comedy play by Pierre-Augustin Caron de Beaumarchais. The opera was first performed in Vienna in 1786 and quickly became one of the most popular and enduring works in the opera repertoire.

    "The Marriage of Figaro" is a lively and comical opera that takes place in a single day in the palace of Count Almaviva. The plot revolves around the humorous attempts of Figaro, the Count's valet, to marry his beloved, Susanna, who also serves as the Countess's maid. However, their plans are complicated by the Count's relentless pursuit of Susanna and his abuse of power. The opera weaves together themes of love, jealousy, class, and revolution, while showcasing Mozart's mastery of music, particularly in the intricate ensembles and arias.

    The title "The Marriage of Figaro" refers to Figaro's desire to marry Susanna and the comedic situations that arise as a result. Figaro is a clever, resourceful, and quick-witted character who serves as the driving force behind the opera's storyline. With its engaging and character-driven plot, memorable melodies, and satirical look at society, "The Marriage of Figaro" continues to captivate audiences around the world, making it an essential and beloved part of the operatic canon.